Tucson, Arizona-based boutique Desert Vintage has specialized in rare designer clothing since Salima Bouffelfel and Roberto Cowan took over the store in 2012. Many of its products, such as his 100-year-old Fortuny Evening robe or Azzedine's Alaïa suede wraparound top, “may be a little tough to wear,” Bouffelfel says. Masu. So when she descended on New York to open her street outpost, Orchard, in 2022, she set out to complement their period pieces with designs of her own. Named Ténéré (Tuareg for “desert”), a nod to both Buffelfel's Arizona roots and Berber heritage, the collection is meant to be worn across seasons and occasions. There are airy, wrinkled chiffon dresses and sleeveless caftans sewn in the African antique trade. Italian linen pants with beads and double pleats. Silk Lounge Her sets, available in a variety of sand shades and poppy reds, are modeled after Desert Vintage's best-selling 1920s Loungewear ensembles, which are “always flying out the door and ready for everyone.'' It looks great,” Bouffelfel said. From $598, tenere.com.
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A Painter's Exploration of Loss
For British painter Chantal Joffe, “art is a way of understanding life.” So when her parents and her stepbrother died around the same time her daughter was leaving for college, it became a way to process their absence. In her new exhibition, “My Dearest Dust,” currently on view at Skarstedt Gallery on New York's Upper East Side, Joffe explores themes of motherhood and grief, capturing the bittersweet intimacies of everyday life in shades of yellow and green. Captured in vivid colors. Her self-portraits depict private moments of sadness in which the artist takes a bath, lies in bed, or walks her dog, interspersed with domestic scenes and drawings of her daughter Esme. Joffe has previously documented her childhood. “Painting is very intuitive,” Joffe says. “And at the end of the day, it's not a photo at all. It's an experience.” “My Dearest Dust” will be on display at New York's Skarsted Gallery until June 15th. skarstedt.com.
When Casey Axelrod Welk moved to Los Angeles in 2018 from New York City, where he had held clinical positions at Weill Cornell Medical Center and Mount Sinai Hospital, the nurse replaced his oral medications with dermal fillers and skin revisions. Replaced it with a laser. “You could say L.A. changed me,” he jokes. In December, Casey and her husband and business partner Nick Axelrod Welk (co-founder of the website Into the Gloss and the brand Necessaire) opened a cosmetic dermatology clinic called Contraposto in West Hollywood. ” was established. Inside the 1937 John Elgin Wolfe-designed building, original moldings and 14-foot ceilings are offset by custom stainless steel cabinetry. Numerous antique accents include a 1930s Swedish Art Deco hand mirror, William Spratling's sterling silver Nautilus bowl, and Pierre Jeanneret chairs in the main treatment room, an interior design that has previously helped Mary-Kate and Ashley Olsen. Selected by decorator Courtney Applebaum. Designed the Loews Melrose Place boutique. Her carefully crafted settings reflect Cayce's own delicate approach to cosmetic procedures, which emphasizes natural movement. “We believe that by proceeding carefully and slowly, we will achieve optimal results,” he says. contraposto.com.
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French chef's first solo project influenced by his trip to Japan
Chef Pierre Touitou's newest spot is located in the heart of Paris's 1st arrondissement, on Rue Saint-Roch, not far from the Palais Royal. Tuitu ran his wine bar Déviant in 2016 and Vivant 2 in 2018, combining his fine-dining training (with Alain Ducasse at Hôtel Plaza Athénée) and wine bar experience (at Eauduami) We merged them and created two restaurants. It quickly gained a following among fashion week audiences and stylish locals alike. Since then, he has spent time at the Drum Café in Arles, a LUMA Foundation restaurant visited by chefs from all over the world, and traveled frequently to Japan. These experiences are reflected in his first solo project, 19 Saint Roch, which opened at the end of March. Tuitu himself designed this 40-seat space, giving it a fusion of American diner and sushi counter feel, with tiled floors, chrome and leather retro bar seating, and a fresh fish window. Masu. The menu combines French and Mediterranean influences with elements of Japanese cuisine, such as oysters topped with salmon roe and yuzu pepper. Served with white asparagus, seaweed, capers, and fresh cream. Pan-roasted turnips with saffron seasoned turnips. The mainly natural wine list leans towards French cuisine, including white wines from the Jura region and Pena from the Loire Valley. 19saint-roch.com.
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Palestinian-American artist's pieced together landscape paintings on display in Los Angeles
“Oh, my heart, don’t ask me where the love is. It was a monument to illusion, so it fell apart,” Egyptian musician Umm Kulthum wrote in his 1966 heartbreak anthem “Al-Atral.” (Ruins)” is sung. The lyrics, based on a poem by Ibrahim Nagy, are part of a mosaic piece in Jordan Nassar's exhibition Surge, which opens on May 18 at Los Angeles' Anat Ebugi Gallery. The 60-by-96-inch piece, named after the song, is constructed of glass tiles on foam board. In the center is a grid of six square images depicting animals such as swans and dogs hovering over nighttime mountainous landscapes and mosques. The composition was inspired by a Byzantine floor mosaic discovered by a farmer in the Gaza Strip in 2022. “It's very likely that the mosaic is now completely destroyed. It would be a miracle if it was still there,” Nassar said.
Born in New York to a Palestinian father and Polish mother, Nassar's art has long centered on Middle Eastern traditions. He typically creates his wall pieces using embroidered cotton, traditionally called embroidered cotton. Tattries — through collaboration with Palestinian artisans. Making mosaics is a new medium for Nassar. “Tile screamed at me because the pattern is constructed in the same way as each stitch in embroidery works,” he says. The artist first experimented with glass chips during a four-month residency at the Shangri-La Museum of Islamic Art, Culture and Design in Hawaii in 2022. The resulting landscape piece, Lē'ahi (2022), is currently on permanent display at the Honolulu Museum of Art. collection. Another landscape, “Mudun Falastin (Palestinian City)” (2024), is on display in Los Angeles. A serene mountain landscape of an unspecified location is outlined with a floral pattern and the Arabic names of Jaffa, Palestine, and 22 cities in present-day or historic Palestine. Jerusalem, Gaza, Nablus. Nassar spotted the motif on an embroidered tote bag she bought in 2017 at the UN-run women's training center in the refugee camp of Ramallah. [these pieces] “Even if you don't understand what the words are saying, it has an emotion that the viewer will find,” Nassar says. “Jordan Nassar: The Surge” will be shown from May 18th to July 20th. anatebgi.com.
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Artist-selected San Francisco Film Festival
The inaugural film festival will be held over 11 days in July at the Frankel Gallery in San Francisco. It will be held at the Mission's Roxy Cinema, which has been showing movies without interruption for more than 100 years. The program includes 10 double features each night selected by the gallery's leading artists, including Lee Friedlander, Sophie Calle, Carrie Mae Weems, and Nan Goldin. “Artists now move between media in a completely different way than they did 45 years ago when the gallery opened,” says founder Jeffrey Frankel. “All of these artists learned a lot from film.” Each contributor's selection suggests an aesthetic touchstone in their work.Swiss video artist and composer Christian Marclay chooses Jean-Luc Godard's “Contempt” Michelangelo Antonioni's “Blow-Up” Markley explains: “A movie about seeing…a movie about movies.” Marclay has long been fascinated by Blowup, which along with the soundtrack for Brian De Palma's 1998 conceptual opus Up and Out. I've shown this movie before. Hiroshi Sugimoto, a Japanese photographer and founder of the Tokyo architectural design firm New Materials Research Institute, has published work that explores the passage of time across a variety of media, including Masaki Kobayashi's Ghost Stories (1964). ) and Akio Jissoji. “This Fleeting Life” (1970). “Both films are about modern Japan in the 1960s, which rapidly destroyed its traditions,” Sugimoto says. “And that's where I grew up. It created my complex artistic spirit.”
Accompanying the festival is a new exhibition, “Frankenstein,” featuring works by more than 20 artists that explore the legacy and eternal return of Mary Shelley’s 1818 Gothic novel. Photographs by Diane Arbus, John Waters, Koto Ezawa and others will be displayed on the gallery walls from May 30th to August 10th. The Frankel Film Festival will be held from July 9th to July 20th. All proceeds will be donated to Roxy Cinema. roxy.com.